The seven-piece collection features behind-the-scenes imagery photographed by Gilles Favier printed on tees and hoodies, which feature the phrase "Jusqu'ici Tout Va Bien", a line taken from the film, which translates as "so far, so good". La Haine is a 1995 french black and white drama directed byMathieu Kassovitz featuring Vincent Cassel, Hubert Kound and SadTaghmaoui as. The collection sees the brand collaborate with Matthieu Kassovitz, the director and creator of the seminal 1995 film La Haine, which recounted a whirlwind 20 hours in the life of three friends from Paris’ banlieues. Mathieu Kassovitz’s La Haine s a controversial, unique, iconic and powerful film, a raw and real look at the social difficulties we unfortunately continue to experience, but it is also a premonitory film that has managed to perfectly capture the streetwear aesthetic of the 90s, which is the main reference of contemporary fashion.
Captured entirely in black and white, the film portrays the tensions between the Parisian banlieus and Paris as well as those between the trio of protgaonists, emulating the systemic issues of class, police brutality and protest that still resonate with daily realities in the city today. Founded in 1889 by Hamilton Carhartt in Detroit, Carhartt began producing overalls and other types of workwear garments from denim fabric and canvas, which eventually became the. Carhartt WIP for La Haine 25th Anniversary is now live, available from both our online shop and select Carhartt WIP stores. Released in 1995, La Haine follows 20 hours in the lives of three friends, Vinz, Saïd and Hubert, in the aftermath of riots sparked by the beating of their friend, Abdel Ichah, during a police interrogation.
In the 1990s, Carhartt and Dickies were wardrobe staples, and today those labels are seeing a resurgence. To celebrate the 25th anniversary of cult French film La Haine, Carharrt WIP is releasing a capsule collection in collaboration with the film's director, Mathieu Kassovitz. S hot in black and white, La Haine, Mathieu Kassovitz’s 1995 film.